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NFTS Digital FX Ident - Shooting daySome stills from motion control camera/miniature modelmaking project on the shooting day.
• Production: NFTS
• Modelmaking supvervisor: John Lee
• Master comp & breakdown: Xi Zhao
Role: Miniature modelmaker,...NFTS Digital FX Ident - Shooting daySome stills from motion control camera/miniature modelmaking project on the shooting day.
• Production: NFTS
• Modelmaking supvervisor: John Lee
• Master comp & breakdown: Xi Zhao
Role: Miniature modelmaker,...NFTS Digital FX Ident - Shooting daySome stills from motion control camera/miniature modelmaking project on the shooting day.
• Production: NFTS
• Modelmaking supvervisor: John Lee
• Master comp & breakdown: Xi Zhao
Role: Miniature modelmaker,...NFTS Digital FX Ident - Shooting daySome stills from motion control camera/miniature modelmaking project on the shooting day.
• Production: NFTS
• Modelmaking supvervisor: John Lee
• Master comp & breakdown: Xi Zhao
Role: Miniature modelmaker,...NFTS Digital FX Ident - Shooting daySome stills from motion control camera/miniature modelmaking project on the shooting day.
• Production: NFTS
• Modelmaking supvervisor: John Lee
• Master comp & breakdown: Xi Zhao
Role: Miniature modelmaker,...NFTS Digital FX Ident - Shooting daySome stills from motion control camera/miniature modelmaking project on the shooting day.
• Production: NFTS
• Modelmaking supvervisor: John Lee
• Master comp & breakdown: Xi Zhao
Role: Miniature modelmaker,...NFTS Digital FX Ident - Shooting daySome stills from motion control camera/miniature modelmaking project on the shooting day.
• Production: NFTS
• Modelmaking supvervisor: John Lee
• Master comp & breakdown: Xi Zhao
Role: Miniature modelmaker,...

NFTS Digital FX Ident - Shooting day

Some stills from motion control camera/miniature modelmaking project on the shooting day.

  • Production: NFTS
  • Modelmaking supvervisor: John Lee
  • Master comp & breakdown: Xi Zhao
    Role: Miniature modelmaker, assistant stopframe animator (letter ‘F’), compositor (letter 'F’)

Final work: https://vimeo.com/147508146

VFX breakdown: https://vimeo.com/147509111

NFTS Digital FX Ident - Modelmaking

Some modelmaking stills from the motion control camera/miniature modelmaking project.

  • Production: NFTS
  • Modelmaking supvervisor: John Lee
  • Master comp & breakdown: Xi Zhao
    Role: Miniature modelmaker, assistant stopframe animator (letter ‘F’), compositor (letter 'F’)

Final work: https://vimeo.com/147508146

VFX breakdown: https://vimeo.com/147509111

Blight (2015)Production stills from a prosthetics short film Blight. All prosthetic elements were made during a 6-week training course at Millenium FX/Neil Gorton Prosthetics Studio.
Boyan Baynov, Tom Phillips-Howard and I worked on the concept...Blight (2015)Production stills from a prosthetics short film Blight. All prosthetic elements were made during a 6-week training course at Millenium FX/Neil Gorton Prosthetics Studio.
Boyan Baynov, Tom Phillips-Howard and I worked on the concept...Blight (2015)Production stills from a prosthetics short film Blight. All prosthetic elements were made during a 6-week training course at Millenium FX/Neil Gorton Prosthetics Studio.
Boyan Baynov, Tom Phillips-Howard and I worked on the concept...

Blight (2015)

Production stills from a prosthetics short film Blight. All prosthetic elements were made during a 6-week training course at Millenium FX/Neil Gorton Prosthetics Studio.

Boyan Baynov, Tom Phillips-Howard and I worked on the concept design of the fungus-infested woman’s head. We each sculpted a maquette and cherry picked the best elements, which led to the final design. Those who took the SFX makeup training course helped out on applying the makeup onto the actors on set as well. VFX breakdown of the shots I composited can be seen on my Feb 2016 showreel.

  • Production: NFTS
  • Director & writer: Chris Goodman, Kate Walshe
  • DoP: Sverre Finset Sordal
  • Production Designer: Declan O’Brien
  • Prosthetics & special effects makeup supervisor/tutor: Dan Frye
  • Prosthetics & VFX: MA Digital Effects 2014
  • Composor: Victor Hugo Fumagalli
  • Colourist: Carl Thompson
  • Actors: Jack Parker, Adam Basi, Rosalind Parker


  • Role: concept artist (designed the face of the villain with two other students), prosthetics/special effects make-up artist, compositor

https://www.gortonstudio.co.uk/nfts-films-hit-the-shorts-festivals

Grotesque (2015)

After Take One Painting, our MA Digital Effects 2014 course had to split into two teams and create a short film. The brief was to have a motion-captured character interact with a human. This is a behind the scene video of Grotesque (2015). This video was created by Victor Almela-Orero.

  • Production: NFTS
  • Motion Capture: Centroid Motion Capture
  • Lead Actor: David Wayman
  • Creature Performer: William Todd-Jones
  • Director: Carl Thompson
  • Producer: Robin Yoojin Rhee
  • DoP: Diana Olifirova
  • Gargoyle Modelling/Animation: Thomas Philip-Howard
  • Lighting/Texturing/Rendering: Sebastian Braende
  • TD/R&D: Matthew Moyes
  • Compositors: Victor Almela-Orero, Ellie Tomlinson, Robin Yoojin Rhee
  • Composer: Victor Hugo Fumagalli
  • Sound Designer: Marcin Szumilas
  • Colourist: Carl Thompson
  • Special Thanks: Teresa Grimsditch, Sarah Haywood, Alex Hoetzer, Ian Murphy, John Rowe, Kevin Rowe, Rob Tygner 
Kebab Van Explosion (2014)Stills from the kebab van explosion shoot on 18 Sep 2014. The explosion lasted only a few minutes, but setting up the explosion took more than half a day. The explosion was shot in slow motion:
https://vimeo.com/111734642
•...

Kebab Van Explosion (2014)

Stills from the kebab van explosion shoot on 18 Sep 2014. The explosion lasted only a few minutes, but setting up the explosion took more than half a day. The explosion was shot in slow motion:

https://vimeo.com/111734642

  • Production: NFTS
  • SFX supervisor/tutor: Richard Conway
  • SFX Assistant: Christopher Dubock
  • SFX Technician: Nick Smith
  • DoP: Diana Olifirova  
  • 1st AC: Pete Blakemore 
  • 2nd AC: Bradley Stearn
  • Editor: Diana Olifirova
  • Colourist: Carl Thompson
Take One Painting (2014)Take One Painting is the very first module every MA Digital Effects students do at the National Film and Television School. The brief was to recreate a painting chosen by the heads of department in live action and to do a...Take One Painting (2014)Take One Painting is the very first module every MA Digital Effects students do at the National Film and Television School. The brief was to recreate a painting chosen by the heads of department in live action and to do a...Take One Painting (2014)Take One Painting is the very first module every MA Digital Effects students do at the National Film and Television School. The brief was to recreate a painting chosen by the heads of department in live action and to do a...Take One Painting (2014)Take One Painting is the very first module every MA Digital Effects students do at the National Film and Television School. The brief was to recreate a painting chosen by the heads of department in live action and to do a...Take One Painting (2014)Take One Painting is the very first module every MA Digital Effects students do at the National Film and Television School. The brief was to recreate a painting chosen by the heads of department in live action and to do a...Take One Painting (2014)Take One Painting is the very first module every MA Digital Effects students do at the National Film and Television School. The brief was to recreate a painting chosen by the heads of department in live action and to do a...

Take One Painting (2014)

Take One Painting is the very first module every MA Digital Effects students do at the National Film and Television School. The brief was to recreate a painting chosen by the heads of department in live action and to do a digital set extension to it.

Our painting was John Singer Sargent’s painting Hospital at Granada (1912). Production Design students recreated the set, Cinematography students lit and shot the live action footage, and each DFX student did their own set extension while learning Maya and Nuke in the following four months. DFX students (including me) acted out each character in the painting on top of taking all the necessary measurements, texture references, and lighting references (chrome ball, grey ball, Macbeth chart) for VFX usage.

  • Production: NFTS (MA Production Design 2014, MA Cinematography 2014, MA Digital Effects 2014)
  • VFX: individual (modeling, texturing, tracking, lighting, rendering, roto/cleanup, compositing, colour grading)
  • Softwares: PFTrack, Maya, Photoshop, NukeX

SSG Food Market Opening - Behind the Scene

Behind the scene video of the preparation week and the VIP opening party of SSG Food Market.

  • Role: Camera crew assistant; location dressing, behind-the-scene video shooting
  • Client: Shinsegae Co. LTD
  • Production & post-production Company: Performance Documenta Production
SSG Food Market - Media FacadeSome production stills from the 26 June 2012 shoot.
Shinsegae wanted to produce a video to screen on the media facade entrance. The brief was to showcase the products of each brand stores that will be opening in the SSG...

SSG Food Market - Media Facade

Some production stills from the 26 June 2012 shoot.

Shinsegae wanted to produce a video to screen on the media facade entrance. The brief was to showcase the products of each brand stores that will be opening in the SSG Food Market, but with a a non-commercial look.

  • Role: Brand Strategy Team Intern (Assistant Video Art Director)
  • Client: Shinsegae Co. LTD
  • Production & post-production: Performance Documenta Production

Final video: https://vimeo.com/45477549

SSG Food Market - Media Facade

During my summer internship at Shinsegae in 2012, I had the pleasure of participating in the SSG Food market opening project. Shinsegae wanted to produce a video to screen on the media facade entrance. The brief was to showcase the products of each brand stores that will be opening in the SSG Food Market, but with a a non-commercial look.

Although named ‘food market,’ SSG Food Market is more like a multiplex plaza. The actual SSG Food Market, which is something like a premium version of Whole Foods, is on the underground floor. Restaurants, bakery, winery, and a select shop are on the ground floor and first floor. Located in Cheongdam-dong, a ward of Gangnam District in Seoul, South Korea, SSG Food Market aims to become a trendy location to epitomize the wealthy lifestyle of Koreans.

  • Role: Brand Strategy Team Intern (Assistant Video Art Director)
  • Client: Shinsegae Co. LTD
  • Production & post-production: Performance Documenta Production


http://www.ssgfoodmarket.com/

442 Dosan-daero, Gangnam-gu, Seoul, South Korea

Michal Krasnopolski: Classical movie posters - part3

The basic concept was to create a very modernist, minimalist poster series for movie enthusiasts. The idea is based on a very simple grid: a circle and two diagonals inscribed in a square. It surprised me how many posters I could create based on this very simple approach. There’s an enormous strength in simplicity; the fewer elements, the more we engage our imagination.

Short comparison movie:

Vimeo

Featured on:

Fast Company(English)

DT(Spanish)

Gazeta.pl (Polish)

Michal Krasnopolski: Classical movie posters - part2

The basic concept was to create a very modernist, minimalist poster series for movie enthusiasts. The idea is based on a very simple grid: a circle and two diagonals inscribed in a square. It surprised me how many posters I could create based on this very simple approach. There’s an enormous strength in simplicity; the fewer elements, the more we engage our imagination.

Short comparison movie:

Vimeo

Featured on:

Fast Company (English)

DT (Spanish)

Gazeta.pl (Polish)

Michal Krasnopolski: Classical movie posters - part1

The basic concept was to create a very modernist, minimalist poster series for movie enthusiasts. The idea is based on a very simple grid: a circle and two diagonals inscribed in a square. It surprised me how many posters I could create based on this very simple approach. There’s an enormous strength in simplicity; the fewer elements, the more we engage our imagination.

Short comparison movie:

Vimeo

Featured on:

Fast Company (English)

DT (Spanish)

Gazeta.pl (Polish)

The first image is the grid

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